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Working With Models: Part 1

Before reading any further or commenting on this tutorial, please ensure that you have read the Artist's Comments as it explains who this tutorial series is for, what it is based on and how it may be distributed. Thank you.

INTRODUCTION
This, the first part of the Working With Models series, suggests how to find models to work with. When I refer to models, I'm not referring specifically to mainstream fashion models, the tall slender ethereal looking young women who float down the catwalks or the tanned and shiny guys showing off their tighty whities on billboards. When I say model I'm talking about any per

Working With Models: Part 2

Before reading any further or commenting on this tutorial, please ensure that you have read the Artist's Comments as it explains who this tutorial series is for, what it is based on and how it may be distributed. Thank you.

LAY IT ALL OUT!
It is ALWAYS a good idea to be completely honest, up-front and open about the nature of the shoot that you're planning. If you're looking for a model who is willing to strip off and jump in a bath of fake blood with another naked girl or two, say that. While some models will be happy to do character work and won't object to being photographed in an unflattering manner in

Working With Models: Part 3

Before reading any further or commenting on this tutorial, please ensure that you have read the Artist's Comments as it explains who this tutorial series is for, what it is based on and how it may be distributed. Thank you.

AT EASE, SOLDIER!
One of the most important things you can do to ensure that a shoot goes smoothly and everyone stays happy is to go out of your way to help your model feel comfortable. I find that a cup of tea and a chat goes a long way. Before make-up or props come out, before the lens cap comes off, spend at least a few minutes chatting with the model. This is especially i

Working With Models: Part 4

Before reading any further or commenting on this tutorial, please ensure that you have read the Artist's Comments as it explains who this tutorial series is for, what it is based on and how it may be distributed. Thank you.

FOLLOW-UP CONTACT
After a shoot, I often send an email (or leave a MySpace comment, ModelMayhem tag etc) to the model saying that I enjoyed the shoot and had a great time working together. This isn't essential, especially if the model is someone you know well and see all the time, but it is nice if the shoot you're referring to is the first time you've met and/or worked with the model.

SENDING OU

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The client(s) may use the images for the following personal and self-promotional activity online and offline:
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Submitted: July 4, 2005
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Charm Offensiveby `RockstarVanity

Photography / Conceptual

_{THIS IS A COPYRIGHTED IMAGE
It is not to be used by anyone, for anything, anywhere, in any form, online or offline, personally or commercially, digitally or physically, without my permission. If you wish to license any of my work for commercial or personal use, please contact me directly at Tanya@RockstarVanity.com with details of your project.}

All the little sparkly hearts were stuck on, individually, using thick lip gloss and tweezers. It was torturous! There are now little sparkly hearts all over the bedroom and bathroom and me. Those bloody things just don't know when to quit!

_{RockstarVanity.com . ViolentlyBeautiful.com . PhotoBlog
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Get your copy of my first book, Violently Beautiful, HERE}