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:iconrockstarvanity:

^RockstarVanity

putting cracks in fragile minds
Wears a tinfoil hat Blind to Pageviews

A little deeper...

Journal Entry: Tue Aug 19, 2008, 2:49 AM



Before I start my usual ramblings, I want to tell you about something really cool. =JacquiJax (the inspiration behind the Global Tutorials Project) has set up BIBLIOTECArte: Biblioteca de Arte para Hispanos, which (I think..!) means Library of Art in Spanish. It's a Spanish-language library of important editorials and tutorials on dA and =JacquiJax deserves applause and hugs for taking the initiative to do something so helpful.



Please give the project your support by faving the news article and by using the stamp (above).


Now, on to my ramblings...
I'm a photographer. I arrange things (and people), light them, take photographs of them and process these photographs like every other photographer in the world. When asked what I do, I say "I am a photographer" or "I take photographs". I don't spend a huge amount of time thinking about what this means to me, or how the way I work differs from the way other people might work. I must have done at one point, but I don't really any more. I want to think about this more. I spend lots of time analysing other people's work, appreciating it and enjoying it but so little time really thinking about my own work from a (reasonably) obective viewpoint, or considering why I go through the processes I go through.

Ok, so I'm a photographer. I take photographs of things and people, but more important I take photographs of concepts and emotions. I am as happy if people hate my work as I am if they love it because I want to inspire emotional reactions, positive and negative. As pleasant as controversy can be, one of my favourite things in the world is showing someone a photograph I've taken of them and seeing them happy with it, excited by their own appearance.

I don't aim to shock people or make them happy by showing them something they've never seen before. I aim to show people things in a way that they might not have seen them before, in a way that might make them think. At the same time, if I love a concept and want to shoot it I couldn't care less if a million people have done it before me. I create art because I love creating art, not because I'm under any illusion that everything I do will be incredible and original. I still get bouncy and excited during a shoot when everything goes really well. The first and most important reason I create art is that it makes me happy. If it ever stops making me happy, I'll get a new job.

What I see through the lens of my camera is what is in the finished photograph. I process my RAW files and save them, but I don't add or change backgrounds, 'fix' people's appearance, add elements to a photo or remove things from pictures. Not because I think there's anything wrong with doing that stuff (digital art is a wonderful thing), but because it's just not what I'm into. For me, the art is in creating an image before a camera is pointed at it. RAW processing is important, but to vital piece of the puzzle for me is put in place before I touch my camera.

I don't believe that equipment makes a photographer. I understand that the final image has to be of a certain standard which can only be created by a certain standard of gear, but I believe that the art comes from behind the camera, not inside it. I love my photographic lights, but before I had them I spent a lot of time shooting with domestic lighting and floodlights bought for £6 each from Screwfix Direct. I still love shooting in natural light. I still use an incredibly cheap camera simply because it is light and small enough for me to use (I almost never use a tripod) for long periods of time without my hands and arms seizing up. If I had the money to upgrade, I would buy a newer small, light camera. My confidence and self-esteem are not directly proportional to the weight of my tools.

I am not competitive at all (other than with myself). I truly believe that creative people should be able to work together without trying to out-do each other or screw each other over. I believe that everyone has their own motivation and their own style, so the scope for working together without one-up-manship is endless. It grates on my nerves no end when people are precious about what they do and see everyone else as the competition. I am happy to share my techniques so that other people can learn from them. I believe that art progresses through interaction as much as inspiration.

In terms of style, the thing I aim for (regardless of genre) is to create an image where the subject is instantly clear and impossible to ignore. I try to create pictures that are striking, strong and confrontational (and I don't believe that confrontational has to be a negative thing). Variety is challenging so I have no desire to operate only within one genre. I love hearing how other people interpret my work. It's great when people see something in it that I tried to express, but even better when people see something in my photos that I didn't intentionally put there.

So what do YOU do?
I don't mean just your job and I don't mean a one-word answer like photography or drawing. How often do you really think about exactly what it is that you try to express with your art? What techniques do you use? What personally-imposed guidelines and boundaries do you operate within? What effect do you hope to have on people? What reaction are you looking for? How do you challenge yourself? How do you perceive your own style and how does this differ from the way other people perceive your style?

:heart:

Don't forget about the Global Tutorials Project (as if I'd let you!)







~NanamiGenji suggested ~DressageFandango for a feature.

I've admired her photography from the day I met her.

:icondressagefandango:












Goodies from my dA Print Store.

The ladies...




I also have a much bigger print store (literally hundreds of photos) at Fotki. Prints are priced the same as on dA - from £0.97/$1.95 for a 4x6 inch print to £24.92/$49.95 for a 20x30 inch print (on paper).








My first book, Violently Beautiful, is now for sale through Blurb. It's a full-colour 80 page retrospective with my work from the first three years of my career spanning the genres of alternative fashion, fetish, modern pin-up, horror, portraiture and conceptual art. There are two versions, a 7x7 inch paperback Original Edition and an 8x10 inch hardback Deluxe Edition.



  • Mood: Artistic
  • Listening to: Grandaddy
  • Reading: Tutorials in other languages
  • Watching: Secretary
  • Playing: 3D Snake on my phone
  • Eating: Nothing yet
  • Drinking: Coffee

Devious Comments

love 0 0 joy 0 0 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0

I hope that I can show the beauty in a person that I see, not just show them as they are, but go past that. I want to make people take a long moment to look at all the little details or just pause for a moment thinking. While I love shooting simple ideas, pinup and alt fashion, its the concept shots I get most into and I obsess over. Everything has to be just how I want it in those.
My only boundary is that I won't shoot porn, and if I shoot a popular concept I want to make sure I shoot it my way. I use all natural lighting, other than I occasionally use single lightbulbs for moody lighting.
I see my style as everychanging, I'm often told I'm young so don't have a style yet, I don't want a specific style or way I shoot, I want every shoot to be different and pushing me more, I don't want to settle into a style.
Fuck, I just LOVE everything you said. Especially "I want every shoot to be different and pushing me more, I don't want to settle into a style".

--
tanya simpson
rockstarvanity@volunteers.deviantart.com
gallery moderator, horror + macabre photography

welcome to the dark side
kick-start your horror art here . . .
<3

--
`ArtistsForCharity

~You Must Be The Change You Wish To See In The World. ~ M. Gandhi~
That little heart always makes me think of an ice cream cone on it's side :)

--
tanya simpson
rockstarvanity@volunteers.deviantart.com
gallery moderator, horror + macabre photography

welcome to the dark side
kick-start your horror art here . . .
I don't get to deep about it either, by my very nature I am pretty analytical so if I said what I really do when people asked most would die of boredom, so I abbreviate it to
"I am a photographer, I faf around with light until it works for me"

If I know the question asker well I may add

"I'm am a control, freak, if I can't control the light I will faf about with stuff until I can"
:D

--
They wouldn’t have made the cane if you weren’t meant to break the rules!
lol yea i guess so

--
`ArtistsForCharity

~You Must Be The Change You Wish To See In The World. ~ M. Gandhi~
As demonstrated in this journal entry, when I talk in-depth about what I do I end up going off on these huge rants about artistic integrity. I'm in a shitty mood today (or I was) due to the cunting roadworks that cover every fucking road in Edinburgh right now (I hate roadworks, they kill my motor-zen and make me swear a lot) so I had a huge rant on my blog about those photographers (and I use that term loosely) that do revolting 'make-over' shoots with too much soft focus etc. When I rant about stuff on my blog I usually get at least one person who I've offended (usually someone who works in the field that I'm ranting about) commenting to tell me what an asshole I am, while not having the balls to leave real contact details. Bleh.

--
tanya simpson
rockstarvanity@volunteers.deviantart.com
gallery moderator, horror + macabre photography

welcome to the dark side
kick-start your horror art here . . .
I generally don't think about it much. In my head I know the shot I need to get, or the set of pictures I need to get, and then set about doing it. I guess that comes from experience and with that a gain in technical knowledge. I mean it's quite rare now that I'll be on a shoot and not know how to get the shot I want.

It's easier from my point of view that I shoot for a client 90% of the time and through that I have a very set style and 'look' to the images. Even so it can be taxing flipping between three or four different styles in one day.

How do I challenge myself? For tabloid shoots I try and do it as quick as possible. For quality stuff, like the Guardian, Times etc I try and get a shot that I know they'll use AND that I like. And I guess I'll try and push the lighting a bit more, spend a bit more time editing that I normally would.

--
Beards not bombs.
ahwwww ONCE AGAIN THANKS!!!!!! :hug: :D

Well i think that is good to not think to much on ur own work, since it needs to express what it makes you feel.. or what u are feeling or ur mood at the moment ;)
That is art! :P
An abstract expression of the human being :P

So trueeeee what u say.. A year i had my camera broken.. believe i fell on a deep deppression.. is not my work, but is my hobbie and stress relief.. it really makes me happy to do art! :)

"For me, the art is in creating an image before a camera is pointed at it. RAW processing is important, but to vital piece of the puzzle for me is put in place before I touch my camera." SO TRUE! :clap: :D I dont like photos with bgs changed and more, is like too fake.. nature and reality is way too amazing to go to those stuffs ;)

I think that What makes a photographer is creativity (express all u think or feel) , love for art, and practice ;)

" I believe that art progresses through interaction as much as inspiration." true, if we arent deep admires of someones type of art, still we can surely learn lots there that directly or not so directly will make our artwork better or will bring us new ideas ;)

Yup i think that the feedback of people is really important on art, so you can understand somethings that u didnt thought of them when you were shooting, and maybe just maybe they were unconscious for u for some reason and really have a meaning for u.. is amazing!

Well as u know im a photographer.. i like to experiment but dont have much time, LOVE THE CONCEPTUAL art.. wish i could make vexel art lol but i dont have that patience.. lol

I use a really crappy camera, next year im gonna get a nikon :D but now i have a crapy automatic olympus.. believe me REALLY CRAPY ! lol i get to shoot my photos nicely since i know really well the camera, but taking a macro for me is all a challenge (since is automatic and doesnt focus well .. and doesnt have too much macro lol) :P I use like 3 lamps from my house when im gonna shoot my cats (my house has few lightning inside), so yeah.. poor kitties im almost cooking them lol So it needs to be a quick photoshoot lol (and most of the lamps are yellow light so i need to edit that later on PS..)

So I think u are right, the tools dont make the photographer, they surely make the work easier and "more pleasant"... since you can do almost ALMOST the same but with a lot of work and creativity :P

Thanks a bunch for sharing all that with us, and for making me think once again in all these :hug: :D

--
STOP! Watch my gallery, you will have some fun there ;) [link]

Community Relations



Director of Community Relations: $Moonbeam13


Industry Ninja: ^pinguino
Ring Master: ^PurpelBlur


Gallery Moderators

General Photography: ^PorcelainPoet and ^zerocomplex
Abstract & Surreal & Fetish: ^opioid
Artistic Nudes: ^wynnesome
Pin-up: ^Ghouldaddy
Commercial: ^orangefruits
Conceptual: ^FaMz
Glamour: ^cosfrog
Horror & Macabre: ^RockstarVanity
Macro: ^dandelgrosso
Photojournalism: ^estudio and ^Helewidis
Street Photography: ^bQw

See the whole list here.

Find my CR pimpin' here.

Daily Deviations



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Featured Deviant

This month's featured deviant is =agonybliss

# Official Beta Tester
# Portrait Photographer
# 38/Female/United States
# Deviant since Jan 14, 2004

:iconagonybliss:




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If someone comments on your art with an insult towards you, your chosen genre or subject matter are you more likely to...

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