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Darkroom Exposed: Digital OverlaysDarkroom Exposed is a series of articles highlighting talented deviants, noteworthy art and helpful information all about the Photography > Darkroom gallery on dA.
This issue features digital overlays, which are created by layering two or more images (including but not limited to texture and colour layers) to create a final image, mimicking the effect of exposing photographic paper to two or more negatives and/or filters during printing. This differs from photomanipulations, where elements of numerous images are separately extracted and combined to make a final image.
Stock used in title graphic
007007 by mikm-STOCK
negatives stock 1 by :de
What is Traditional Darkroom?What is Traditional Darkroom?
Traditional Darkroom is where it all began. It started in a world where the word 'photography' didn't yet exist and the art of creating images of reality with light and chemicals sat somewhere between science and magic. Did you know that the mathematicians Aristotle and Euclid describe pinhole cameras in the 4th and 5th centuries?
In the early 1800s, artist/inventors like Louis Dageurre and Henry Fox Talbot (among others) experimented with ways of fixing images using chemicals, including silver compounds, following exposures on materials like glass and metal, lasting from several minutes to several hours. By 1840, Talbot was creating negative images using the calotype process and John Herschel had invented the cyanotype process (where the term 'blueprint' comes from) and created the first glass negative in 1839.
In the middle part of the 1800s, the wet plate collodion process be
Darkroom Photography Week Round-UpDarkroom Photography week at projecteducate is over.
Here's a round-up of the articles posted...
Darkroom Photography Week Begins!
Introduction to the Darkroom gallery on dA
What is Traditional Darkroom?
What is Digital Darkroom?
dA Groups that welcome darkroom photos
Darkroom photography tutorials
Introduction to the Darkroom galleryIntroduction to the Darkroom gallery on dA
Darkroom on dA is a tribute to the traditional, involving chemical developing and printing techniques which have barely changed since the birth of photography, a symbol of the modern, making use of technological advances in digital processing, and a whole lot of amazing and beautiful things in between.
While the majority of Photography galleries on dA are subject-based, Darkroom is technique-based. Photographs using Darkroom techniques are generally accepted in the other photography galleries too, but if you wish to categorise your Darkroom photography submission based on how it was created, then Photography > Darkroom is here to allow you to do that.
If you're not a photographer, or you arrived on your photographic journey at a time when digital was in full swing, you may have never shot on film, been temporarily blinded by walking into daylight after hours spen
What is Digital Darkroom?What is Digital Darkroom?
Digital Darkroom is the evolution, converting chemical processes to digital ones, cellulose and silver to pixels and bytes. The first digital camera, weighing 8 pounds with a resolution of 0.01 megapixels, was built in 1975 and recorded black and white images to a cassette tape. The first camera which recorded images as computerised files was made by Fuji in 1988 and the first commercially available digital camera was created in 1990.
The Digital Darkroom gallery on dA is for photographs which have been digitally processed or edited with the use of computer software to emulate traditional and alternative film darkroom techniques. It's also a place for very modern processes like HDR photography, which involves creating images with a higher range of visible tones than regular photography.
Most of the functions available in digital editing software were created to mimic actual darkroom
Darkroom DDs: September 2012These beautiful darkroom photographs were featured as Daily Deviations in September 2012.
Whose Point Of View by jusuart shadows of souls by tsiapas Sunset on the Quarry by runyouknow1 Infinity by SongOfAwakening ini by mano-svanidze Fruit Bat by hidarime-images Rope Bridge by KrisSimon cgt hdr by mau5 Window Shopping by SuperSnappz Cursed Church by hakaba Leaving makes the windows cry by ensilencio MaYBe... by DilekGenc Breathing light! by Ullises in the weeds by sparkbearer Aikucho by BrittaniLuv old Tugboat by IndianRain auf der erde und in der hoelle IV by BuChWien :thumb327043595: Jane in stripes by PHaarhus
Celebrating Diversity #13In this issue of Celebrating Diversity, I would like to remind you of an amazing feeling...when you see a piece of art created in a medium or genre that you have little or no experience of working in, and it feels like you're witnessing something magical, something beyond your comprehension.
It's wonderful to revel in the joy of How do they do that? and find inspiration in the creations of other artists. So I challenge you to take a step outside of the galleries that you regularly browse and immerse yourself in the experience of indulging in something new.
How do you celebrate diversity?
Do you regularly browse, comment on and collect art that's wildly different from what you create?
Do you watch artists who use mediums that you don't use in your own
Darkroom Exposed: HDRDarkroom Exposed is a series of articles highlighting talented deviants, noteworthy art and helpful information all about the Photography > Darkroom gallery on dA.
This issue features HDR (high dynamic range) photography, which allows for a greater dynamic range (variation between the light and dark areas) than regular photography. This can have a range of effects, between creating an image more like what you see with your eyes and depicting hyper-real results with a painterly feeling.
Some digital cameras can shoot HDR in-camera but HDR images can also be created using digital editing software with multiple exposures of the same scene. 'Fake' HDR can also be created from just one exposure. Here are some beautiful examples of HDR photography...
Want to learn more? Check out these great tutorials on dA...
Darkroom DDs: November 2012These beautiful darkroom photographs were featured as Daily Deviations in November 2012.
kimbits by kahoxworth :thumb336610982: HDR-photo-1 by Louis-photos * by neuzheli Temple Of The Sea by ArjenCalter Classic Retro Vespa Girl by bedustreetart Cappadocia / Kapadokya / Kemerhan Cave Suites by anilync Wet Plate Collodion II by gingersfunkyphotos Gears by MermaidGirl10 :thumb337728059: Art by Elise-in-Oz Stairwell by IndependentlyConceal Bulb with wings by skullkill88 deja vu by i-m-light :thumb339571708:
Photography Troubleshooting: How to work with MistGetting the camera out, and the scarf, hat and gloves, and heading into a misty morning or hazy evening can result in the best kind of photographs. Atmospheric, moody and ultimately a fine example of whatever current season you're in - these kinds of shots present themselves at awkward moments so it's vitally important to be prepared. In previous years I've got up at the crack of dawn and ventured out with all the excitement of a young child on their first day of school - only to come home with a grazed knee and broken felt tip pens. Or rather, washed out, blurred and altogether rubbish photographs.
Fog is a popular mist - we often get confused and just term it all as fog or all as mist. It's not quite like that. It's all about the visibility, if we can see less than 1km through it then it's fog. If we can see between 1 - 2 km then it's mist. So when is the best time to catch these ground level clouds at their best? Fo
Photography Troubleshooting:How to Photograph FoodMany of us lament about a lack of subjects to Photograph - and almost just as many of us create something on a daily basis that with a bit of presentation, can look like a masterpiece. Food is one of the most accessible Photographic subjects and if you've no idea where to start, hopefully this article will give you a few pointers. Firstly, you don't need an expensive D-SLR in order to capture some of the food masterpieces you see around.
The above was taken with a Sony Cybershot which is a good quality point and shoot camera. As you can see, the focus is crisp, the quality is good and the lighting is adequate. It works well - and it's easy enough to achieve whether you have a D-SLR or something smaller.
Before you start cooking - get prepared. It's the simplest easiest thing to say and you'll likely roll your eyes at such a mundane instruction but there have been many times when I've found mysel
Photography Troubleshooting: Capturing AutumnFor many Photographers, Autumn is now officially here and is one of the most exciting seasons to capture in terms of colour, change and vistas. Early morning mist, late afternoon sun, orange, red and golden hues - Autumn has a lot to offer in many countries. If you're like me, Autumn often arrives all at once and it can be tricky to know how to make the best of the season before it's over. A couple of days of high winds and rain can ruin the best Autumnal captures by ripping the leaves down before you've even got the chance to snap - so it's great to be prepared for the season.
Leading lines are particularly useful. Yet so many people quote ' Look for leading lines...' or 'You've captured the leading lines here perfectly' and really do we even know properly what they are? The purpose of a leading line is to draw a viewers eye into the photograph and then on a journey - through it. Think of it as a visual narrative. They can be intentional and ind
It's All About Presentation (Mostly)As more and more people start taking pictures of their nether regions on their iphones or posing myspace style in front of their HTC's - the competitive world of getting a Daily Deviation gets just that much harder... I kid. But... daily, I am bombarded with awesome suggestions (which I love) and I'm not complaining about. But there has to be a criteria of sorts, that sets an image above the rest. Here are a few things I look for that you might not have noticed before... The first thing I look at when I stumble across an image or view a suggestion from somebody, is how the artist has presented their work to the deviantART Community.
Your image isn't everything. Not anymore. In the past I have given Daily Deviations to pieces with titles that are a combination of random letters and numbers, or that are very obviously still the source file title - or that tends to be just a keyboard mash-up. Everyday CVs are sent many many notes suggesting pieces o
PE: Film and AnimationAs 2012 is coming to a close we can reflect on a lot of new technologies this year. Perhaps one of the biggest advances in technology was that of filmmaking both in the professional and pro-sumer categories with a new GoPro that has 4K capabilities, the Canon 5D MKIII, the Sony F5, and perhaps one of the biggest moves was that of the Blackmagic Cinema Camera. With the exception of the Sony F5, these cameras all came in under $5000, making them readily available both for the professional world and for the pro-sumer world.
Filmmaker vs. YouTube
With all of these cameras becoming more and more affordable, one must ask:
Project Educate: Being a People PersonSo you've got the equipment, you've got the top notch camera, the lighting, the studio, the backdrop and even the perfect weather - everything you need for a portrait photography shoot right? Wrong. The key behind all photographs that contain a living and breathing subject is to have the natural look. Just like the key to a conceptual shot is having the idea, the key to portraiture photography is having the eye. Co-operative subjects help too!
I have especially found in the past, that people develop a pained and strained look on their face when the camera is pointed in their direction. Interestingly enough, it happens more often at Weddings. The bride and groom quite often develop the look that they might have when they've just finished writing out the cheque for me to photograph their big day...
Then, quite suddenly one day, I got it. It was when a stunning bridesmaid at a wedding lifted her hands in front of her face and squealed when I clicked the camera in her
Photography Troubleshooting: Winter WildlifeFor many parts of the world, Winter provides a beautiful backdrop for some of the best landscape and water scape Photography out there. Snowy hills, Frosty trees and more help to convert a world of vibrant Summer or Autumn into subdued yet awe-inspiring Winter. But what about the wildlife? Extreme weather conditions can make it more challenging to get out and about with the camera, but can also give you more opportunity to capture those elusive animals.
When I first started investigating Winter Wildlife Photography I thought that I would have to aim for things like Foxes, Deer and other wild and sometimes elusive animals. But actually, wildlife Photography and in particular in the Winter - can start right in the back garden.
Birds in particular get hungrier and needier during Winter months in England. I'm sure this is true for many parts of the world too. Depending on the kinds that frequent your garden, you could encourage them to linger pretty quickly or it might
PE: How to Make a Large EmoticonHow to Make a Large Emoticon
I have been asked many times how I make my big emoticons. How I shade it, dither it, etc, so I am going to make a step by step tutorial on how I make large emoticons. Even if you already know how to, you might find something useful in this. Be aware that I am using photoshop elements 3.0, so this technique can be preformed in almost any program that has layers and custom pencil brush sizes and or a hollow and filled circle tool. If your program doesn't have layers or adjustable circles of any kind (whether it be the pencil tool or the circle tool), you should be able to get around it somehow, but if you can't figure it out, I would recommend gimp. It works on Macs, Windows, or Linux computers. You can get a free download at gimp.org.
Start by making a hollow circle. The color of it should be a really dark shade of the color you want the emote to be. I'm making a blue emote, so
Project Educate: Improving Spontaneity Spontaneous Portraiture
Here on deviantART there is a whole gallery for your casual, candid, secretive shots. I don't mean fetish. The Spontaneous People & Portrait Photography Gallery is where you should go if you are wanting to things that are less arranged, less planned and much more spontaneous. Have a browse here to see what's popular but keep in mind that miscats are in abundance, and that's why these education weeks exist - to try and educate and put the record straight.
I prefer to shoot all of my portraiture and people photography as candidly as possible. I believe that capturing people unawares gives them no time to organize their facial expressions and consider arranging their emotions. Eyes, are the windows to the soul - as they say, and if you're making someone stand and pose (which works well a lot of the time) you're closing off the honest
Darkroom Photography TutorialsdeviantART is home to thousands of useful tutorials on just about every topic imaginable.
If you want to try your hand at darkroom photography, or simply gain a greater understanding of the medium, here are a few to get you started...
Confused by film types and formats? Don't know your 35mm from your instant processing? This tutorial is a good place to start.
No camera? No problem! Make your own.
One exposure not enough? Here's how to do the double.
Time to develop? Read these!
Maybe you want to try some alternative processing. Here's how to make a negative from a digital photo.
Cyanotypes are fun, safe and easy. Find out how to make your own.
Want to take your instant film shots further? Try an emulsion lift!
Emulsion lift tutorial by kivienkathairon
Love vintage looks but don't have access to darkroom chem
SolaceShe never slept well in the dark,
not without the children of the sun and moon
to guide her weary lids home.
Guided by the aftermath, she was always two steps behind.
What did the world look like to the girl who had been through it all?
Braved the heaviest of storms,
yet skipping over cracks in the pavement.
They said her eyes were the wisps of clouds before the storm.
To him they were reflections of pages overlooked.
She said it was like she lived the life of someone she had never met.
Laid out to dry, yesterdays news.
He knew her as the girl who was built to never collapse.
He wished he was too.
He loved her more than words could say, and yet her pain was such,
that at times, he feared she wouldn’t make it.
But on nights like these, even when it threatened to consume her,
he became convinced that somehow she would.
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